Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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John William Waterhouse
Ulysses and the Sirens (mk41)
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ID: 25648

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John William Waterhouse Ulysses and the Sirens (mk41)


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John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.  Related Paintings of John William Waterhouse :. | Dolce Far Niente | In the Peristyle | Lady Violet Henderson | Gathering Flowers in a Devonshire Garden | Gather Ye Rosebuds While Ye May |
Related Artists:
Karl Hagemeister
German, 1848-1933,German painter. He studied from 1871 at the Kunstschule in Weimar under Friedrich Preller, who introduced him to the principles of classical landscape painting. In 1873 he began to develop a more modern approach when he met Carl Schuch at the Hintersee, near Berchtesgaden; he immediately became his pupil and later wrote Schuch's biography. Schuch introduced Hagemeister to the Leibl circle (see LEIBL, WILHELM). He travelled to the Netherlands and Belgium (1873-4), Italy (1876) and France (1884-5), often accompanying Schuch and, in the early journeys, Wilhelm Trebner. His approach to landscape changed from classical Naturalism to 'pure painting', a more formalist approach in which purely pictorial qualities were given priority over naturalistic representation, as in Lake Shore (c. 1900; Schweinfurt, Samml. Schefer). His brushwork became broader, his depiction of objects became increasingly summary, and his colours lighter and cooler. Absorbing the influence of Japanese art through the interpretations of the French Impressionists, and following trends in international Art Nouveau, Hagemeister developed an individual variant of Jugendstil. His pictures were composed in accordance with decorative rather than naturalistic principles and became primarily ornamental, as in White Poppy
Nicolas Bernard Lepicie
was a French painter (16 June 1735 - 15 September 1784), the son of two reputed engravers at the time, Francois-Bernard and Renee-Elisabeth, was introduced to the artistic and cultural environment by his parents. Nicolas-Bernard studied with reputed artists of the century including Carle Vanloo. In 1769 he was accepted to the Royal Academy of Painting and Sculpture in Paris. Three years later, in 1770, he became an assistant professor and, in 1777, a professor. Important names such as Carle Vernet, Jean-Frederic Schall, Jean-Antoine-Theodore Giroust, Jean-Joseph Taillasson, Henri-Pierre Danloux, Jean-Baptiste Regnault and Nicolas-Antoine.
Anelli, Francesco
painted Julia Gardiner Tyler in 1846 - 1848






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